Gibbs gets at his former label boss Young Jeezy. If you haven’t heard the song, stop reading this and do yourself a favor and go check it out here. Great beat by Madlib and Freddie rapping like a motherfucker over it. I know I already spoke about good examples of Freddie Gibbs & Madlib’s chemistry, but “Thuggin'” is the perfect example of that. Okay, let me preface this song by saying it’s one of my favorite songs of all time. You shed tears when you hurting, if I cut you then you bleed, right?īut bitch you acting like your shit don’t stinkīitch, you acting like your shit don’t stink You wake up everyday and pray before you sleep, right? You could also say he takes to tasks other rappers who act like shit is all sweet: The subject is different as it’s Freddie talking about the struggles of everyday real life of selling drugs and the problems of just living life.
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The production on “Shitsville” sounds like something that might be playing in a scene from the movie Scarface but sped up with drums added. Both rappers turn in good verses over production that seems like it would be on a Raekwon album. It’s all starts off slow but when the actual beat kicks in, the results are pretty good. That’s not a slight at The Chef but he does make a lot of appearances (Same goes for Jadakiss). It may be mandatory for all upcoming dope dealing rappers to do a song with Raekwon. And on a personal note: I now think of this song when I go to Zaxby’s. Most of these topics deal with robbing people and reminiscing about smashing high school chicks in the backseat, but it all sounds good over Madlib’s mellow productions. Named after the legendary chicken spot on the South Side of Chicago, Gibbs talks about an assortment of topics on “Harold’s” (besides giving out his favorite order on the hook: “A skinny nigga/Six Wing Mild Sauce/With all the fries you can give me/I tear them bitches off”). It’s not a bad song but at this point, a song about weed using this sample seems lazy. You’ll also notice the sample, Freda Payne’s “I Get High (On Your Memory)” it’s the one Styles P made famous with “Good Times (I Get High)”. Both are talented but it seems like every time the hook up on a song, Gibbs destroys Danny Brown ( Danny has even admitted to this). Deep.ĭanny Brown & Freddie Gibbs are two of my favorites rapping today. The production samples violins and matches the tone of the track. Freddie shows his talent by making it an actual story that sounds really believable. The story is about an old girlfriend that used to love Gibbs for his thug ways but changes up and starts dating a dude on the straight and narrow. You won’t get too many songs from Freddie Gibbs about crying over a woman and you don’t really get that here, but “Deeper” is as close as you gonna get. It a quick verse of a hard loop that basically sums the chemistry between Gibbs & Madlib. You know those songs that have you making a ugly face? Because it’s so hard? On “Scarface”, Gibbs start things off right on some gangster shit and the ugly face is just something that comes with it. You gonna kill a motherfucker, kill em right I guess it could be looked at as an intro from the producer. It’s quick at under a minute but it sets things up. Madlib is great at sampling dusty records, breakbeats, and movie clips.
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We got a few songs and a couple of EP’s from the duo in the past, but can a crate-digging cult hero of underground Hip-Hop and a gangster street lyricist from Gary Indiana really make a full length album? Let’s find out. After a few years of waiting, we finally get the collaboration album from Madlib & Freddie Gibbs: Piñata.
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